Born in Venezuela, Ezlimar started her ballet studies with Nina Novak in Caracas. She was a recipient of the UNESCO Ashberg Scholarship to study at the Ecole Superieure de Danse Rosella Hightower in Cannes, France and also received a scholarship to study at The Kirov Academy of Ballet in Washington, DC.

She has worked as a soloist and principal dancer in companies in the United States and South America such as Ballet Teresa Carreño, Ballet Contemporaneo de Caracas, Ballet Concierto, Tulsa Ballet, Charleston Ballet Theatre, State Street Ballet and the Oklahoma City Ballet.

Her repertoire includes the leading roles of Esmeralda, Le Corsaire, Grand Pas Classique, Cinderella, Don Quixote, Black Swan, Balanchine’s Who Cares?, Allegro Brillante, La Traviata, Cerrudo´s Lickety Split and others.

As a Soloist with the Oklahoma City Ballet, she danced in Tudor´s Lilac Garden, Sugar Plum Fairy in the Nutcracker, Robert Mills´s Pushing Pennies and Paris Rouge, Balanchine’s Rubies, Tharp’s Nine Sinatra Songs, Stanton Welch’s Play, Lady Capulet in Romeo and Juliet, Moyna in Giselle and the leading role of Jacob Sparso’s Carmen.

Ezlimar joined the faculty of the National Theatre Ballet School in April, 2021 and was the supporting teacher for the Summer series of IBW in 2021.

Ezlimar is an ABT Certified Teacher, who has successfully completed the ABT Teacher Training in Pre-Primary through Level 3 of the ABT National Training Curriculum. She is also a PBT certified instructor, ACB Pre-Primary through Level 4, Level 1 of the International Character Dance Syllabus and attended the professional Development course on Vaganova technique by Mr. Runquiao Du.